This collection features articles and book reviews written by faculty in the Department of Modern Languages & Literature at Fairfield University.

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Submissions from 2017

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Pelo malo: Representing Symbolic Violence in the Intricacies of Venezuela’s Contemporary Film Landscape, Michelle Leigh Farrell

Submissions from 2016

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A Close‐up on National Venezuelan Film Support during the Chávez Years: Between Revolution and Continuity, Michelle Leigh Farrell

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Slightly Independent and Illegal: Yaima Pardo’s films OFF_LINE and SWITCH ON at the Crossroads of Literacy, Inclusion and Digital Filmmaking in Contemporary Cuban Cinema, Michelle Leigh Farrell

Submissions from 2015

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Film Review of "Elena" dir. by Petra Costa, Michelle Leigh Farrell

Submissions from 2014

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Redefining Cuban Film and the Imagined Community: A Close-up on Nuevo realizador Aram Vidal, Michelle Farrell

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The Director of ‘Bad Hair’ Talks About Venezuela’s Dangerous Obsession With Beauty, Michelle Leigh Farrell

Submissions from 2013

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Book Review: New Worlds and the Italian Renaissance: Contributions to the History of European Intellectual Culture, Sara Diaz

Submissions from 2012

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Book Review: Dante’s ‘Tenzone’ with Forese Donati: The Reprehension of Vice., Sara Diaz

Submissions from 2011

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Book Review: Latin American Melodrama: Passion, Pathos, and Entertainment, ed and intro by Darlene J. Sadlier, Michelle Leigh Farrell

Submissions from 2010

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Book Review: Venezuela Speaks! Voices from the Grassroots, Ed. Carlos Martínez, et al., Michelle Leigh Farrell

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Book Review: Who Can Stop the Drums? Urban Social Movements in Chávez’s Venezuela, by Sujatha Fernandes., Michelle Leigh Farrell

Submissions from 2005

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Aperçus du Noir: regards blancs sur l'Autre, by Roger Little, Marie-Agnès Sourieau

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Le Complexe de Di, by Dai Sijie, Marie-Agnès Sourieau

Submissions from 2004

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Le Nègre blanc de Bel Air, by Jean-François Samlong, Marie-Agnès Sourieau

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Les Gens du parfum, by Amin Zaoui, Marie-Agnès Sourieau

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Nouvelles écrivaines: nouvelles voix?, by Nathalie Morello, Marie-Agnès Sourieau

Submissions from 2003

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Francoise Mallet-Joris, by Susan Petit, Marie-Agnès Sourieau

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La Comète de Halley, by Pascale Blanchard-Glass, Marie-Agnès Sourieau

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Malika Mokeddem: envers et contre tout, edited by Yolande Aline Helm, Marie-Agnès Sourieau

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Vétiver, by Joël Des Rosiers, Marie-Agnès Sourieau

Submissions from 2002

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Creole Identity in the French Caribbean Novel, by Adlai H. Murdoch, Marie-Agnès Sourieau

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Les Belles-Ames, by Lydie Salvayre, Marie-Agnès Sourieau

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Mother Imagery in the Novels of Afro-Caribbean Women, by Simone A. James Alexander, Marie-Agnès Sourieau

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Sage Sorcières? Révision de la mauvaise mère dans 'Beloved' (Toni Morrison), 'Praisesong for the Widow (Paule Marshall), et 'Moi, Tituba, sorcière noire de Salem' (Maryse Condé), by Kathleen Gyssels, Marie-Agnès Sourieau

Submissions from 2001

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L' Âge de la lecture, by Jean-Louis Baudry, Marie-Agnès Sourieau

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Les Bôites noires, by Dominique Boudou, Marie-Agnès Sourieau

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Max Radiguet et les "derniers sauvages": la dégradation de l'exotisme, Marie-Agnès Sourieau

Submissions from 2000

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Edouard Glissant and Postcolonial Theory: Strategies of Language and Resistance, by Celia Britton, Marie-Agnès Sourieau

Submissions from 1999

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Entretien avec Maryse Condé: de l'identité culturelle, Marie-Agnès Sourieau

Submissions from 1998

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Faulkner, Mississippi, by Edouard Glissant, Marie-Agnès Sourieau

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Une Personne déplacée, by Nicole Avril, Marie-Agnès Sourieau

Submissions from 1996

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Betsi Larousse ou l'ineffable eccéité de la loutre, by Louis Hamelin, Marie-Agnès Sourieau