Document Type
Article
Article Version
Post-print
Publication Date
3-1-2020
Abstract
When Beppe Fenoglio's partisan novel Una questione privata was first published in 1963, critics immediately took issue with its foregrounding of romance over Resistance Literature's more established form of chronological testimony. Indeed, from the moment the protagonist Milton sets foot in his beloved Fulvia's villa, he withdraws from his responsibilities as a partisan fighter in the Italian Resistance in order to discover the truth about her alleged betrayal. Though his quest has often been construed as nothing more than a boyish escape from his obligations, this study reinterprets Milton's nostalgia as a more radical form of resistance: Milton's choice to dwell in paradise lost is a refusal to participate in the dehumanizing machinery of war. Relying on his nostalgia as a compass, Milton reorients himself towards home as a means of rediscovering and maintaining his humanity.
Publication Title
Italica
Repository Citation
Crognale, Megan, "Paradise Lost on the Hills above Alba: Nostalgia in Fenoglio's Una questione privata" (2020). Modern Languages & Literature Faculty Publications. 82.
https://digitalcommons.fairfield.edu/modernlanguagesandliterature-facultypubs/82
Published Citation
Crognale, Megan. "Paradise Lost on the Hills above Alba: Nostalgia in Fenoglio's Una questione privata." Italica 97, no. 1 (2020): 50-73. https://doi.org/10.5406/23256672.97.1.04
DOI
10.5406/23256672.97.1.04
Peer Reviewed
Comments
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